Directed by: Antoine Fuqua
Written by: Michael C. Martin
Produced by: Elie Cohn, Basil Iwanyk, John Langley, Avi Lerner, John Thompson
Starring: Richard Gere. Don Cheadle, Ethan Hawke, Wesley Snipes
Run Time: 132 Min
The best way to accurately describe Brooklyn’s Finest is every bad cop movie rolled into one film, with all of the personality, intrigue, comedy and likable characters sucked out of it. Brooklyn’s Finest offers nothing but stereotypical characters, bad dialog and a story that’s so predictable that the ending wouldn’t catch a 5 year old off guard. Now some people would describe this story as a tragedy but in all of those memorable stories and plays there’re actually characters that the viewers like. When you make a movie it’s important to remember that in every story you need to have a protagonist that the audience can identify with but that basic fact was forgotten by the writer Michael C. Martin. You’d think that since this really is a story about 3 police officers, that at least one aspect of the story characters would be interesting but Brooklyn’s Finest strikes out each time.
The story starts out with Sal, the bad cop, talking to a man who explains the “righter and wronger” reasons why people do the bad things (which may be the plot of the whole movie). The writer of this movie would like you to believe that Sal is a good guy who’s in a bad position in order to justify his actions but that doesn’t really stick. The problem with Sal is that he’s just a dumbed down version of an interesting character. His whole story revolves around his poor family that lives in a house with wood mold in the walls which endangers their health. Sal already has 2 children and has twins on the way because he isn’t smart enough to use birth control when he already can’t support the kids he has. Since a police officer can’t make money by taking side jobs or working overtime; the only solution to Sal’s problems is for him to rob drug dealers and to buy a new house with the fruits of his labor.
Things to look for in Sal’s story:
His confessional, he talks to a priest about how he needs help from god.
The lamest poker game scene in a movie ever made.
Next we’re introduced to Tango, the undercover cop who’s in way over his head. Tango is the closest we have to a likeable character but he still falls short in that department. After a short stay in prison, where he gains street cred, Tango’s back on the street tasked with infiltrating the cities inner city gangs posing as a drug trafficker. The stress of working undercover starts to effect his view of the world and his job to the point where he’s worried he’ll become a criminal himself. His boss gives him a deal where he can get off the street but he has to get evidence about a man who saved his life while he was in prison, leaving him struggling between loyalty and his desire to leave the undercover life behind.
Things to look for in Tango’s Story:
He’s in too deep maaaannnnnn.
The shady FBI woman.
His friend dies as a result of their drug dealing.
His supervisor gives him a “This is what you wanted” speech.
As if two lackluster characters weren’t enough, enter Eddie, the 22 year police veteran who’s about to retire in 7 days. Eddie is quite possibly the most useless and uninteresting cop character ever created. His own boss tells him that he’s basically a failure and Eddie only proves that to the viewer throughout the whole movie. In his first scene, Eddie wakes up and puts his revolver in his mouth but the gun doesn’t go off as he slowly pulls the trigger back(later we learn that he doesn’t keep his gun loaded). How lame is that? Why would anyone care about a boring, unmotivated depressed police officer who isn’t even man enough to shoot himself? It’s pathetic. You might be thinking to yourself that since he’s suicidal, he’s going to end up proving himself in some blaze of glory that will make up for having to watch him for 2 hours but, even in his shining moment at the climax of the movie he proves himself to be quite frankly, worthless and unexciting. Maybe the audience is supposed to be moved by his staring into space and walking away from conflict. Eddie is one character whose role would be better left in a garbage can next to the writer’s desk.
Things to look for in Eddie’s story:
The stupid look on his face which makes him look like he’s constantly in deep thought but we all know he’s completely useless.
He’s assigned to teach a rookie cop the basics of the job but the rookie course messes something important up like all rookies do.
His only love is from a hooker who doesn’t even want him.
He can’t even kill himself.
The presentation of this whole movie is horrifically bad. Throughout the entire movie there’s always some dramatic music playing which is meant to emphasize the internal conflict that the characters are supposed to have. If you can get past the music, you’ll have to deal with the story itself which is full of holes and defies logic. Even if by some strange miracle you can stand the story, the characters come to your aid and quickly ruin anything that’s likeable left in the movie. Just for a bit of overkill, if you try look past all of the flaws with the music, the main characters and the bad story the writer has an ace up his sleeve: all the supporting actors who are all rip offs of characters in better movies.
Brooklyn’s Finest is the worst cop movie I’ve ever seen. There’s absolutely nothing original or interesting about the characters and while the writers should be sued for plagiarizing every aspect of the story from better movies, they even manage to ruin the stereotypes we’ve grown to love over the years. Even the ending to the movie was disappointing. Why this movie is getting a 7.4 rating with 3353 votes on IMDB mystifies me. We all know how the movie ends, all the characters end up in the same place at the same time. If you want to watch a cop movie you’d be safer going on Netflix and renting Lethal Weapon, where the suicidal cop does something exciting, or Dirty Harry instead of a two hour long bore fest like Brooklyn’s Finest.